The Road Between Here and There

There are as many kinds of essays as there are human attitudes or poses, as many essay flavors as there are Howard Johnson ice creams. The essayist arises in the morning and, if he has work to do, selects his garb from an unusually extensive wardrobe:he can pull on any sort of shirt, be any sort of person, according to his mood or his subject matter – philosopher, scold, jester, raconteur, confidant, pundit, devil’s advocate, enthusiast. I like the essay, have always liked it, and even as a child was at work, attempting to inflict my young thoughts and experiences on others by putting them on paper.

—E.B. White on essayists

Meta is Murder: Free Will and the Fallibility of Science

mills:

One of the most significant intellectual errors educated persons make is in underestimating the fallibility of science. The very best scientific theories containing our soundest, most reliable knowledge are certain to be superseded, recategorized from “right” to “wrong”; they are, as physicist

Few people ask from books what books can give us. Most commonly we come to books with blurred and divided minds, asking of fiction that it shall be true, of poetry that it shall be false, of biography that it shall be flattering, of history that it shall enforce our own prejudices. If we could banish all such preconceptions when we read, that would be an admirable beginning. Do not dictate to your author; try to become him. Be his fellow-worker and accomplice. If you hang back, and reserve and criticize at first, you are preventing yourself from getting the fullest possible value from what you read. But if you open your mind as widely as possible, then signs and hints of almost imperceptible fineness, from the twist and turn of the first sentences, will bring you into the presence of a human being unlike any other. Steep yourself in this, acquaint yourself with this and soon you will find that your author is giving you, or attempting to give you, something far more definite.

—Virginia Woolf, on reading

For the cross destroyed the enmity of God towards man, brought about the reconciliation, made the earth Heaven, associated men with angels, pulled down the citadel of death, unstrung the force of the devil, extinguished the power of sin, delivered the world from error, brought back the truth, expelled the Demons, destroyed temples, overturned altars, suppressed the sacrificial offering, implanted virtue, founded the Churches. The cross is the will of the Father, the glory of the Son, the rejoicing of the Spirit, the boast of Paul, “for,” he says, “God forbid that I should boast save in the cross of our Lord Jesus Christ” [Gal 6:14]. The cross is that which is brighter than the sun, more brilliant than the sunbeam: for when the sun is darkened then the cross shines brightly: and the sun is darkened not because it is extinguished, but because it is overpowered by the brilliancy of the cross. The cross has broken our bond, it has made the prison of death ineffectual, it is the demonstration of the love of God.

—John Chrysostom

Writing by hand is laborious, and that is why typewriters were invented. But I believe that the labor has virtue, because of its very physicality. For one thing it involves flesh, blood and the thingness of pen and paper, those anchors that remind us that, however thoroughly we lose ourselves in the vortex of our invention, we inhabit a corporeal world.

—Mary Gordon on writing by hand

Man will have some kind of a religion. God has not left Himself without a witness in us all, fallen as we are. Like old inscriptions hidden under mounds of rubbish, there is a dim something—engraved at the bottom of man’s heart, however faint and half-erased—a something which makes him feel he must have a religion and a worship of some kind. The proof of this is to be found in the history of voyages and travels in every part of the globe. The exceptions to the rule are so few, if indeed there are any, that they only confirm its truth. Man’s worship in some dark corner of the earth may rise no higher than a vague fear of an evil spirit, and a desire to appease him; but a worship of some kind man will have.

—J.C. Ryle on Idolatry

The joy is in the surprise. It can be as small as a felicitous coupling of noun and adjective. Or a whole new scene, or the sudden emergence of an unplanned character who simply grows out of a phrase. Literary criticism, which is bound to pursue meaning, can never really encompass the fact that some things are on the page because they gave the writer pleasure. A writer whose morning is going well, whose sentences are forming well, is experiencing a calm and private joy. This joy itself then liberates a richness of thought that can prompt new surprises. Writers crave these moments, these sessions. If I may quote the second page of Atonement, this is the project’s highest point of fulfillment. Nothing else—cheerful launch party, packed readings, positive reviews—will come near it for satisfaction.

—Ian McEwan on the pleasures of writing from Paris Review

What more could one ask of a companion? To be forever new and yet forever steady. To be strange and familiar all at once, with enough change to quicken my mind, enough steadiness to give sanctuary to my heart. The books on my shelf never asked to come together, and they would not trust or want to listen to one another; but each is a piece of a stained-glass whole without which I couldn’t make sense to myself, or to the world outside.

—Pico Iyer on Books

“To be a Christian is to live one’s life not merely in obedience to God, nor merely in dependence on God, nor even merely for the sake of God; it is to stand in conscious, reciprocal fellowship with God, to be identified with Him in thought and purpose and work, to receive from Him and give back to Him in the ceaseless interplay of spiritual forces…According to this the covenant means that God gives Himself to man and man gives himself to God for that full measure of mutual acquaintance and enjoyment of which each side to the relation is capable.”

-Geerhardus Vos

DESCENDING THEOLOGY: Christ Human (by Mary Karr)

Such a short voyage for a god,
and you arrived in animal form so as not
to scorch us with your glory.
Your mask was an infant’s head on a limp stalk,
sticky eyes smeared blind,
limbs rendered useless in swaddle.
You came among beasts
as one, came into our care or its lack, came crying
as we all do, because the human frame
is a crucifix, each skeletos borne a lifetime.
Any wanting soul lain
prostrate on a floor to receive a pouring of sunlight
might—if still enough,
feel your cross buried in the flesh.
One has only to surrender,
you preached, open both arms to the inner,
the ever-present hold,
out-reaching every want. It’s in the form
embedded, love adamant as bone.
In a breath, we can bloom and almost be you.